Beama "Trying to do Right" - Official Music Video

Beama
Featuring
Berner
"Trying to do Right"
Directed by Tha Razor
Shot on the 7D

"Good Question" - Commercial

New Spot for KPIX CBS 5 directed by Rob Genolio, and shot on the Canon 7D.

Yung Nitti "Ima go get it" - Offical Music Video

Yung Nitti
"Ima go get it"
directed by Tha Razor
Shot on the Canon 7D

Napalm, Erruption "In San Francisco" - Offical Music Video

I have a great idea lets go to Church and Dolores at 7am, start doing doughnuts in the street and see if the police take 5 or 10 minutes to show up! All most had my camera confiscated = Awesome ;-)

Napalm
Erruption
featuring
Goldtoes
"In San Francisco"
directed by Tha Razor

Jacka, Berner "Trafficking" - Offical Music Video

This is my second video with Tha Razor. Filmed on the Canon 7D.

Jacka
Berner
featuring:
Fed X
Lee Majors
"Trafficking"
directed by Tha Razor

Jacka "they don't know" - Offical Music Video

This is my first Gangsta rap video. I just started working with Tha Razor, he's a very cool guy, great with the talent. I know we are going to end up working a lot together :-) Shot on the Canon 5D.

Jacka
featuring
Philly Freeway
"they don't know"
directed by tha razor

Finding The Right Camera: Con't ... Finally

Last post I talked at length about using the Grass Valley Infinity, which we were going to be using inside San Quentin prison. But production is a fluid thing, and the model we got for the shoot went down the first weekend we had it. There was a problem with the line level inputs on the camera, which needed to be handled at the factory. Grass Valley was great once I alerted them to the issue, but I needed another camera that day so I picked up a HPX2000 from VMI and kept that for the rest of the shoot. The panasonic handled everything beautifully and it became our go to camera for those long days walking around the prison. The HPX turned out to be a better fit for our production; even though it is a lower resolution camera than the Infinity, I found the greater dynamic range and highlight handling, coupled with the P2 workflow, which is so seemless in FCP to be the deciding factors. In a studio I may have come to a different choice, but hey San Quentin is far from a studio.

Jesse
--
DP/Producer - The Trust